Nels Wadycki

Writes Code, Fiction

  • While this post from TechCrunch on Zong and the new Zong+ is long, and covers a lot of ground on Zong, it leaves out what David Allen might call the Crazy Maker viewpoint.

    Leena Rao (the author) pits Zong as a potential PayPal killer, which it certainly could be, but my Crazy Maker idea is that Zong could take on credit cards as we know them.

    I’ve already mentioned this concept to my wife so many times I’ve learned to stop even saying anything remotely related to it, but: Why can’t I pay for stuff using my phone instead of my credit card? Sure, I’d still probably have to carry around my library card (until they start accepting phone numbers instead of library card numbers), cash, and my driver’s license. But, I wouldn’t have to worry about losing my wallet or having someone steal my card or spy on my card number. Why? Well, if you’re asking, you clearly didn’t read the TechCrunch article (and I can forgive you for that), so here’s the short version:

    1. You give Zong your phone number and – with Zong+ – your credit card number.
    2. You buy something and put in your phone number instead of any other number or email or whatever.
    3. Zong sends you a PIN number via text message.
    4. Put in the PIN number and you’re done. Paid!

    Now imagine… You’re at the grocery store… instead of sliding your card in the credit/debit card machine, you punch your phone number into a PIN pad. A text is sent to your phone. You put the PIN from the text into the PIN pad. Done!

    Yes, I realize it’s not all that much easier than the process for using a credit card, but it means that someone can’t take your card (if you drop it or leave it somewhere) and go on a shopping spree. More importantly, identity thieves won’t be able to sell credit cards they steal in shady internet chat rooms because they’d have to have your phone to get the PIN number text message in order to complete the transaction! Bam, said the lady!

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  • It’s funny that the these two posts both appeared on TechCrunch just yesterday…

    First: Google’s CEO Eric Schmidt on the Magical Potential of Mobile Cloud. I will re-blockquote:

    The mobile platforms, Android and the others, are so powerful now that you can build client apps that do magical things that are connected with the cloud. This is I think the most visually obvious example of that…don’t limit your imagination to this set of problems. Anything where you can produce this phenomenal customer benefit when you have a mobile device broadly defined connected to the cloud….Obviously we like the price of free because the consumers like that as well and we can figure out ways to use advertising to pay for it.

    The way he says it, he makes it sound like this is still a few years in coming… but then there’s this post about Lala.com’s iPhone app which was just submitted a few days ago, and basically does exactly what Schmidt was talking about: Use the mobile cloud to make magic happen.

    I’ve already expounded on my love of Lala, and how I may never buy another mp3 again, and now that I’ll soon be able to (hopefully) listen to all my music on my iPhone from the cloud, why would I???? I can store a lot more music on Lala than I can on my iPhone, and at significantly lower cost!

    It’s like I told my wife last night (talking about why I didn’t want anything more than watching a Bulls game for my birthday): I can get any DVD I want from Netflix, I can get any music I want on Lala, and I can get any book I want from the library. When you couple with that, the fact that I don’t really need any new clothes since I don’t even wear everything I own now, and the only thing that I really need for my birthday is more time.

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  • I specialized in Management so forgive me if I don’t understand how TV can be profitable when you broadcast it over the airwaves, but not profitable when you show it on someone’s computer.

    Apparently, Hulu is going to start charging for content at exactly the time when I stop using it. It’s a stunning coincidence that neither of those dates have been nailed down, and yet, they’re exactly the same!

    “I think a free model is a very difficult way to capture the value of our content. I think what we need to do is deliver that content to consumers in a way where they will appreciate the value,” News Corp. Deputy Chairman Chase Carey said. “Hulu concurs with that, it needs to evolve to have a meaningful subscription model as part of its business.”

    I’m sorry, Mr. Carey, but what is the current broadcast model referred to as if it’s not a “free model”? As far as I know, I haven’t paid for TV since I moved out of my parents house nearly 12 years ago. And the only reason my parents paid for TV was because they moved to a place where you can’t really get reception. Yet, somehow, TV shows have continued to air free of charge to me for those 12 years.

    Here’s what I see as the impending trade off: Charge people for content vs. Show more commercials. I know from experience that during a broadcast TV show, there are several ads per commercial break, as opposed to the single ad that is shown during a break on Hulu. Is the problem that there aren’t enough advertisers who are willing to buy ads during a show on Hulu to be able to show three ads per commercial break? If that’s the case then Hulu is just doing a suck ass job of marketing to those advertisers.

    Consider that the networks have absolutely ZERO knowledge of what I watch on broadcast TV. Now consider that the networks know that I am subscribed to: 30 Rock, Castle, Chuck, Dollhouse, FlashForward, Fringe, Glee, The Office, and V (which hasn’t even started yet). If I were the one running Hulu, I’d be telling advertisers that if you have a tech gadget, or some other super-geeky thing to advertiser, guess what? I can show your ad to someone who is subscribed to Chuck, Dollhouse, FlashForward, Fringe, and V. Is that not compelling? Seems pretty G-damn compelling to me. But then, my MBA is in Management.

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  • There a few key settings in order to be able to record notes to yourself and have Google Voice transcribe them for you. You can get those from that Lifehacker link, but there’s an addition note I want to make now that I’ve actually tried this.

    It works, but only sort of, and you have to speak really slowly and clearly. It’s hard and actually kind of takes some practice, because the first couple times I did it, I started off slow, and Google did well with the transcription, but then I focused more on what I wanted to say and not how I was saying it and the end of the transcriptions came out like a monkey was at the keyboard.

    Nevertheless, you can usually get the gist of what you wanted to make a note of, and it’s usually easier to speed-dial your GV account than it is to try to pound out a text message (or even a “note” on your smartphone). It’s also more useful than a voice note (again, if your smartphone allows for that), because you get at least some of it transcribed correctly for you, and automatically emailed to you (instead of having to send it to yourself after recording and then transcribe it from there).

    So, go ahead, all tens of you readers, give it a try (if you have Google Voice) and leave a comment with your experience, and if you don’t have GV, let me know if you use something else to record and/or transcribe notes to yourself on the go.

  • As an only child, I kind of enjoy the solitude that comes with working from home. Of course, as I tell people when they ask if I like it better: If I could walk across the hall, and be in the office downtown, I’d go into work every day.

    When I’m at home, though, I can watch Hulu during my lunch break without looking like I’m slacking off.

  • Rio gangs shoot down police chopper, 2 cops dead

    So, on the one hand I’m pissed that Chicago got a bad rap right before the IOC voting because the city was dangerous, but on the other hand I’m glad that Chicago didn’t get the Olympics because media events that usually make only local headlines would be blown up on an international level. Then I go back to being mad because I know if I were an athlete, I wouldn’t be too excited about going to Rio. The helicopter in the above article was shot down approximately 5 miles from where at least some of the Olympics will take place.

    Quote from the article:

    Violence also broke out Saturday in another slum, where television footage showed at least three buses set afire and motorists fleeing for cover from bursts of gunfire by presumed drug traffickers. Police gave no immediate details of those events, though gangs sometimes set buses aflame to protest police operations.

    Despite increased policing efforts, Rio remains one of the world’s most dangerous cities. The violence generally is contained within slum areas, though it sometimes spills into posh beach neighborhoods and periodically shuts down the highway that links the international airport to tourist destinations.

  • Near the end of this podcast on Organizing, Robert (David Allen’s tech guy) makes the point, basically, that you are the boss of your future self. By “boss” he means, in the traditional 9-5 working for the man way.

    Why is that important (as a concept)?

    Well, would you rather have your boss just dump a whole bunch of papers on your desk, and say “do these”, or would you prefer a boss who only hands you papers when you need them, or when you don’t have anything else that you’re working (or at least, not anything that’s a higher priority)?

    office-space

    Would you rather have a boss who says “Here’s an entire project, get it done” or a boss who says “Here’s the first task of a project that I need you to get done. Come back to me when you are finished with this small, completable task, and I’ll tell you what to do next”?

    dilbert-boss

    In both cases, I’m hoping you opted for the latter. Making that decision one of the essential parts of GTD. By defining specific Next Actions and creating appropriate calendar reminders, you are essentially “managing” your future self in a way that is a Best Practices way of managing someone who works for you.

  • And I was more than willing to take part…

    Too bad when I hit the second question their survey broke. From looking at the source code, apparently they were trying to show a video on a page that asked for my country, and either they didn’t like the version of Flash I have installed, or they just accidentally inserted a bunch of Flash and Javascript into a page that wasn’t supposed to have it and broke the whole “show continue button when the question has been answered” part of the page.

    At this point, were I someone with a smaller vocabulary or less desire to type words (the blog equivalent of hearing myself speak), I could say FAIL!, or post a picture of the Hulu logo with a big red FAIL in Impact (which would be well within my Photoshop abilities). Instead I’ll just say, I was really looking forward to seeing what the 7 choices were for the charity ads that would have been displayed 250 times honor of my completion of the survey.

  • But the interesting part is that it’s not out in theaters until October 23rd (that’s 23 days from the time of this writing).

    The whole “available now on VOD, Xbox Live, and Amazon” part seems a stark contrast to the “in theaters October 23rd” part, and while I applaud the effort/ingenuity, I have to wonder what research led to the decision. I’m sure there is a market for people who are going to buy a movie, but aren’t going to go see it in theaters.

    Ah… now I see: Ong Bak 2 (Pre-Theatrical Rental)

    The key is obviously “Pre-Theatrical Rental” because the cost of that rental (at least on Amazon) is $9.99. That’s fairly comparable to seeing the movie in the theater (though if you have VOD or Xbox Live, or a computer hooked up to a TV through which you can play the Amazon rental) then you can get several admissions for the price of entry. So I still have to wonder, are they going to make more money off of people renting this from home than they are from people going to the theater (or going to the theater and subsequently buying the movie)? In this case I’m less skeptical simply because of the movie. It seems like a fanboy kind of movie that people will actually want to see as soon as they can. And I can imagine people watching this in a dorm room on someone’s oversize computer screen, versus, say Cloudy With a Chance of Meatballs or Fame.

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  • It’s like The Internet is a disease and it’s slowly damaging the organs of the album. One by one it goes through the body of the album, taking a chunk here and there. The album isn’t on life support yet, but it will be soon enough.

    From Read/WriteWeb:

    Radiohead’s frontman Thom Yorke announced that the band will no longer release full-length studio albums and instead focus on downloadable singles.

    Billy Corgan and The Smashing Pumpkins aren’t quite ready to go all the way there, but instead they’re breaking the album into 11 EP’s of 4 songs each. That way Billy can still fulfill his artwork and concept fetish by including pictures, paintings, etc. with the EPs while making the music available to people who don’t share his proclivity for the visual aspect of the theme.

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    While The Smashing Pumpkins method is already familiar to them (see also: The Aeroplane Flies High), Radiohead’s declaration shows an awareness of changing methods of distribution as compared with the “old world” ways. The reason we have albums in the first place is because records (and tapes, and CDs) only held a finite amount of material before their storage space was exhausted. Today, even fairly low end computers come with 80-90GB of storage, which is enough for several albums even for loss-less quality distribution. We no longer have the limitations that made the album a necessity in the first place, so why continue on with the tradition?

    If you say “because of the recording industry” then it really only further serves to show how far the industry’s head is under the sand. Here’s a great example: Jay-Z’s Blueprint 3 (which I like) is $10.99 on iTunes. But each of the individual tracks is $1.29. So, to buy the album as singles (with the Radiohead model) you’d pay $19.35. Yes, I realize that by releasing singles, labels run the risk of not having people buy all of the singles, but since The Blueprint 3 has 15 songs on it, each person would only have to buy 57% of the songs (8-9 of the 15 songs) to get the same amount of money.

    If you’re a ruthless music company exec, why are you basically giving people 6-7 songs for free?

    Do you really think that people who might otherwise download the entire thing for free are going to instead pay $10.99 because it’s a better deal than buying each song individually? No. They’re still going to download the whole thing and pay nothing. But the people who would pay $10.99 for the album, I’m guessing they’d also pay $10.32 to buy 8 of the songs individually. Especially if you release one single a month for 15 months, I bet you get a pretty high conversion rate. Then it’s only $1.29 a month. That’s not a big deal. Seems like a much easier sell than trying to convert an entire $10.99 (or $19.35) all at once.

    The album is dead. Long live the single.